Shows — 5.

Mary Peck | Spaces in Between:

Opening Friday April 19th

Wes Mills drawing and a history - 9/8/2019

Wes Mills

Wes Mills
no title
3 ⅝ x 3 inches
Graphite on paper
2016

Wes Mills
no title
3 ⅝ x 3 inches
Graphite on paper
2016

Wes Mills
no title
3 ⅝ x 3 inches
Graphite on paper
2016

(detail)

Wes Mills
no title
9 ½ x 2 ¼ x 7 ¼ inches
Artist made travel box containing
drawing materials, paper, completed drawings
C 1990’s

Wes Mills
Mondrians Forest
40 individual framed pieces (each 6 ¼ x 3 ⅛ inches)
Ink, graphite on paper
2002

Wes Mills
no title
9 ½ x 9 ½ inches
Graphite, ink and pigment on paper
1997

Wes Mills
Germany show (detail)
9 individual framed pieces (each 5 ½ x 2 ½ inches)
Graphite on paper
2009

Wes Mills
no title
11 x 11 inches
Graphite, ink, and pigment on paper
2007

Wes Mills
no title
11 x 11 inches
Graphite, ink, and pigment, on paper
2007

(detail)

Wes Mills
no title
11 x 11 inches
Graphite, ink, on cut paper
2001

Wes Mills
no title
10 x 10 inches
Graphite and pigment on paper
2012

Wes Mills
no title
9 ¾ x 3 x 7 inches
Artist made travel box containing
drawing materials, paper, completed drawings
C 1990’s

Wes Mills
no title
3 ¼ x 2 ¾ x 9 ½ inches
Artist made travel box containing
drawing materials, plexiglass templates,
paper, completed drawings
C 1990’s

Afton Love - 11/16/2018

Afton Love
The Far Range, Peñasco
Graphite, tracing paper, beeswax
42 x 210 inches
2017

The Far Range, Peñasco (detail)

Afton Love
Remnant (union)
Pitfired micaceous clay
15 ½ x 11 ½ x 3 ¼ inches
2018

Afton Love
Split Rock
Graphite, tracing paper, beeswax
70 x 85 inches
2018

Split Rock (detail)

Afton Love
Sixteen Bowls and Sixteen Faces
16 pairs of Pitfired micaceous clay faces and bowls
182 x 12 ½ x 11 ¼ inches
2018

Afton Love
Split Rock

&

Sixteen Bowls and Sixteen Faces

Wilks \ Cousineau - 8/21/2018

Darrell Wilks
Eric Cousineau

Eric Cousineau, selections from American Motel

Darrell Wilks, Tarp Paintings

Eric Cousineau
Hair dryer, Room 126 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
Mini-fridge, Room 112 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
Two blue chairs, Room 23 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2011

Eric Cousineau
Phone, Room 126 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
Chair and Lamp, Room 1153 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
TV, Room 14 6 / 20
From American Motel
Archival pigment print
17 x 22 inches
2009

Eric Cousineau
Purple curtain, Room 42 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2017

Eric Cousineau
Thank you for not smoking, Room 35 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2001

Eric Cousineau
Shower, Room 3 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2009

Darrell Wilks
Shooting Rapids
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Balancing Act
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Sounds of Gravity
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Behind the Veil
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Out of the Shadows
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Conceptual Anarchy
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
City of Darkness
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Paints with Wolves
Acrylic on canvas tarp
88 x 64 inches
1999

Agnes Martin ten prints - 7/27/18

Agnes Martin
Untitled
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #5
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #2
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #1
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #9
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #10
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #3
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #8
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #4
Offset lithograph on transparent vellum
12 x 12 inches
1990

Zeitbrechung - 5/4/2018

Ilona Pachler

Ilona Pachler
No. 11 Ship
from in her command sailed 34 black hollow vessels
Large walnut brown ship
10 x 3 ½ x 2 ¼ inches
Clay and pigment
2018

Ilona Pachler
Caput Mortuum
Screenprint behind plex
27 x 43 inches
2016

Temptress
Screenprint behind pelx
27 x 43 inches
2016

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

Ilona Pachler
Relic 2
Clay and pigment
4 x 3 x 2 ¾ inches
2017

$Ilona Pachler 4 Refraction Mirrors Scratched Mirrors 10 x 16 inches ea. 2018$

Ilona Pachler
4 Refraction Mirrors
Scratched Mirrors
10 x 16 inches ea.
2018

$Ilona Pachler #11 Refraction Mirror Scratched Mirror 10 x 16 inches 2018$

Ilona Pachler
#11 Refraction Mirror
Scratched Mirror
10 x 16 inches
2018

Ilona Pachler
House of Palms
Screenprint behind plex
27 x 43 inches
2016

House of Palms
Screenprint on BFK Rives paper 4/4
32 x 48 inches
2016

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

Ilona Pachler
Relic 1
Clay and pigment
4 x 3 x 1 inches
2017

Ilona Pachler
PLUMB BOB
Cast glass, steel & wire
4 ⅝ x 1 inch
2013

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

Ilona Pachler
Temptress
Screenprint on BFK Rives paper 4 of 4
32 x 48 inches ea.
2016

Ilona Pachler
Temptress
Screenprint on BFK Rives paper PP
32 x 48 inches
2016

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

introductions - 3/9/2018

Featuring:

Darrell Wilks
Philadelphia Wireman
Gary Denmark
Z.B. Armstrong
Dennis Oppenheim

Darrell Wilks
Eyeful
Mixed media collage on paper
15 x 20 inches
2005

Darrell Wilks
Fresh Popcorn/No Frills
Mixed media collage on paper
15 x 20 inches
2005

Darrell Wilks
Midcentury City
Mixed media collage on paper
15 x 20 inches
2005

Darrell Wilks
When Spirits Linger
Mixed media collage on paper
15 x 20 inches
2005

&

Darrell Wilks
Hustle and Flow
Mixed media collage on paper
15 x 20 inches
2005

Z.B. Armstrong
Untitled (doomsday calendar)
White paint and marker on cardboard
4 ¾ x 3 ¼ inches
1987

Dennis Oppenheim
Flower Arrangement for Bruce Nauman
Artists’ book, offset printed
6 3/16 × 9 ¼ inches (page), 6 5/8 × 9 5/8 × ⅜ inches (closed) 6 feet (open)
1970

Dennis Oppenheim
Flower Arrangement for Bruce Nauman (detail)

Philadelphia Wireman
Untitled (coffee straw, bullet, screws, safety pin)
Mixed media assemblage
3 x 1 ½ x ⅞ inches

&

Dennis Oppenheim
Flower Arrangement for Bruce Nauman
Artists’ book, offset printed
6 3/16 × 9 ¼ inches (page), 6 5/8 × 9 5/8 × ⅜ inches (closed) 6 feet (open)

1970

Philadelphia Wireman
Untitled (coffee straw, bullet, screws, safety pin)
Mixed media assemblage
3 x 1 ½ x ⅞ inches

Gary Denmark
WHIPPET
Acrylic and collage on board
20 x 16

Gary Denmark
STRADEL
Acrylic and collage on board
20 x 16

William Georgenes - 1/12/2018

William Georgenes
Untitled
10 x 12 x 10 1/2 inches
Mixed media assemblage
2005

William Georgenes
untitled
9 x 10 x 11 inches
mixed media assemblage
2015

William Georgenes
untitled
15 x 6 x 11 inches
mixed media assemblage
016

William Georgenes
THESE ARE NOT ROSES III
12 x 12 x 7 1/2 inches
mixed media assemblage
005

William Georgenes
HOLLYWOOD DREAM
18 1/2 x 11 x 17 inches
mixed media assemblage
015

HOLLYWOOD DREAM (detail)

William Georgenes
RETURN OF THE PIGS
8 x 10 x 10 inches
mixed media assemblage
006

William Georgenes
ROADKILL HOOPDANCE
22 x 15 x 10 inches
mixed media assemblage
015

ROADKILL HOOPDANCE (detail)

William Georgenes
NEWTON CORNER
16 x 14 x 11 inches
mixed media assemblage
013

William Georgenes
FLOAT FROM EDEN
15 x 12 1/2 x 9 inches
mixed media assemblage
2007

William Georgenes
untitled
19 1/2 x 17 x 11 inches
mixed media assemblage
o date

William Georgenes
MEDUSA LOSES IT
14 x 17 x 13 1/2 inches
mixed media assemblage
2011

Pin-Ups of North America - John Connell - 11/10/2017

Featuring the work of John Connell

John Connell
Wild and Reckless Hobos
India ink on paper
17 x 14 inches
1976

John Connel
A Ship Full of Horses from Rhode Island, The Great Mongol’s Daughter and Her Vicious Little Rat Dog
Ink on paper
17 x 14 inches
1976

John Connell
Drunk Again, Vivaldi Swimming through Boston Under the Water Via Chinese Tunnel, The Dreams of Rembrandt
Ink on paper
17 x 14 inches
1977

John Connell
What’s the Matter with the Mill? It Don’t Grind My Cake No More
Ink and watercolor on paper
17 x 14 inches
1977

John Connell
Bataan Death March, Jesus as Warrior
Ink on paper
17 x 14 inches
1977

John Connell
Classical Life in Heaven, Rembrandt, Death of Crazy Horse, Nirvana of Crazy Horse
Ink on paper
17 x 14 inches
1977

John Connell
Thinking of Spring New Mexico; Flurry of Snow Coming Down
Ink on paper
17 x 14 inches
1977

John Connell
Snake Attack while the Bruegel Person Drones Murder on the Bag-pipes while Buddha...
Ink and watercolor on paper
17 x 14 inches
1977

(detail)

John Connell
Meditation Buddha AP
Bronze
12 ⅛ x 10 x 5 ¼ inches &

Earth-touching Buddha 6/12
Bronze
6 ⅝ x 3 ½ x 5 ⅜ inches

John Connell
Bird II
Bronze
6 x 8 ¾ x 3 ¾ inches
1990’s

John Connell
Bird VII
Bronze
7 ½ x 13 ¼ x 10 ¼ inches
1994

John Connell
Bull Dancers, Night and Day, George Catlin
ink on paper
17 x 14
1976

John Connell
Ishi 3/7
Bronze
23 x 15 x 21 inches
Ca. 1979

earth moves shadows - Gloria Graham - 9/29/2017

Earth Moves Shadows

This is a series of individual photographs of eight archaic tools from the Taos plains. With tools placed back onto the prints, lines were drawn to trace their shadows each hour from 7am to 7pm on April 13, 2008.

24 x 37 inches ea.
pigmented ink and graphite
on archival paper
4/13/2008

Everything Is Gone Except Silence - 8/11/2017

Timothy Nero

Timothy Nero
Mental Chew Toy: The Goddamn Priest
8 ½ x 11 inches
Ink on paper

Timothy Nero
Mental Chew Toy: Not Slick
8 ½ x 11 inches
Ink on paper

Timothy Nero
Interrupted and Severed
60 x 48 inches
Acrylic on panel

Mind My Numb: Seldom Clear
Timothy Nero
60 x 48 inches
acrylic on Panel
2017

Timothy Nero
Un-plasticize Mind
48 x 36 inches
Acrylic on panel

Timothy Nero
No Goddamned Clue
60 x 48 inches
Acrylic on panel

Timothy Nero
Endless Disarray
60 x 48 inches
Acrylic on panel

Timothy Nero
(lost in) Mental Fox
60 x 48 inches
Acrylic on panel

Diaz / Miller - 6/23/2017

Michael Diaz & Tom Miller

Tom Miller
Observational Architecture
18 x 25 1/2 inches
Graphite on Bristol
2017

Untitled mixed media works on paper by Michael Diaz

Foundation line and Small Brutal Monument by Tom Miller

Michael Diaz
Untitled
22 1/2 x 18 inches
Mixed media on paper
2016

two pieces by Michael Diaz

Untitled
52 1/2 x 40 inches ea.
Mixed media on paper
2017

imagine, to the sixth power - 5/12/2017

Christine Taylor Patten
imagine, to the sixth power
micro/macro: 221 drawings

Origins: life is a lover - 4/1/2017

featuring:
John Connell
Kerri Rosenstein
Michelle Cooke
Kevin Law
and other works

MIchelle Cooke
Strata Series #6, #27, #41
Graphite, paper, plate oil, acrylic
2002 - 2004
16 x 20 inches

Jade Bi disks and Coiled "Zhulong Pig Dragon"
Late Neolithix / xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 8 ⅝ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 8 ½ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 8 ⅜ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 6 ¼ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 4 ⅝ inches

China Coiled “Zhulong Pig Dragon”
Late Neolithic Period,
Hongshan Culture.
Diameter: 4 ½ inches

5 found photographs
untitled
circa 1940's
New York

Found photograph
Circa 1940's
New York

Kerri Rosenstein
10 Way Drawings
Pen on Paper
2015 - 2017
11 ½ x 11 ½ inches ea. (framed)

John Connell
Dharma-Chakra Buddha 6/10
Bronze
1980’s
7 ⅕ x 7 x 5 ½ inches

letters of Kevin Law
1980's & 90's

Letters of Kevin Law
1980's & 90's

John Connell
Buddha and Figure
Iron oxide and pigment on paper
Ca. 1990
16 x 14 inches

John Connell
Human Figures II
Iron Oxide and pigment on paper
16 x 14 inches

Wes Mills
Some mound
Oil stick on canvas board
1993
9 ½ x 7 ½ inches

Origins: life is a lover

Greta Young: little people - 2/3/2017

Greta Young
little people

Greta Young
Ballerina
40 x 26 inches
Oilstick on paper

Greta Young
Falling Out
67 x 63 inches
Gesso, oil and oilstick on canvas

Greta Young
Shadows
46 x 25 inches
Sumi ink and oilstick on paper

Greta Young
Foot
48 x 28 inches
Sumi ink and oilstick on paper

Greta Young
Spurt
28 x 42 inches
Mixed media on paper

Greta Young
Sillustani Red
83 x 54 inches
Gesso, oil and oilstick on canvas

Greta Young
Undo
24 x 18 inches
Oilstick on paper

Greta Young
Pile
66 x 48 inches
Oilstick on paper

small - 12/2/2016

small
guest curated by Ann Landi

Works by:

Jan Marie Sessler
TJ Mabrey
Ted Larsen
Sheila Miles
Beverly Rautenberg
Marc Baseman
Susanna Carlisle and Bruce Hamilton
Christine Taylor Patten
McKay Otto
Roger Walker
Desiree Manville

Susanna Carlisle and Bruce Hamilton

Collars and Cuffs
2008
7 x 8 ½ x 8 ½ inches
Antique box with video
Dancer: Rulan Tangen, award winning choreographer and dancer, director at indigenous dance company

Beverly Rautenberg

Homage to Kafka #12
Homage to Kafka #10

Beverly Rautenberg

Homage to Kafka #12
2016
4 x 4 inches
Chromogenic Development Print AP

Beverly Rautenberg

Homage to Kafka #10
2016
4 x 4 inches
Chromogenic Development Print AP

McKay Otto

Untitled
1996
9 x 5 ½ inches
Manipulated found object

Jan Marie Sessler

Aloft
2014
6 ½ x 5 x 1 ¼ inches
Found object and cement

Desiree Manville

CONCRETE CANVAS I
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Desiree Manville

CONCRETE CANVAS II
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Desiree Manville

CONCRETE CANVAS III
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Roger Walker

Untitled
2004
9 x 9 inches
Ink on Paper

Marc Baseman

Convent Street
Dust (Preliminary Drawing)
Radio Telepathy (Preliminary Drawing)
Köln

Marc Baseman

Convent Street
2014
2 ⅞ x 2 ⅞ inches
Graphite and dry Pigment on Paper

Marc Baseman

Dust (Preliminary Drawing)
2014
4 x 4 inches
Graphite on Paper

Marc Baseman

Radio Telepathy (Preliminary Drawing)
2014
4 x 4 inches
Graphite on Paper

Marc Baseman

Köln
2016
4 x 4 inches
Graphite and dry Pigment on Paper

Ted Larsen

Tiny Tank
Dry Creek
Act Naturally

Ted Larsen

Tiny Tank
2016
8 ¾ x 8 ¾ x 2 ¾ inches
Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware

Ted Larsen

Dry Creek
2016
8 ½ x 7 ¾ x 2 ¾ inches
Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware

Ted Larsen

Act Naturally
2016
7 x 6 ¼ x 4 inches
Salvage Steel, Welded Steel, Hardware, Chemicals

Jan Marie Sessler

Long Lost Friend
Entwined
Array
Delicado

Jan Marie Sessler

Long Lost Friend
2014
15 x 13 ½ inches
Chine collé

Jan Marie Sessler

Entwined
2014
15 x 13 ½ inches
Chine collé

Jan Marie Sessler

Array
2014
15 x 13 ½ inches
Chine collé

Jan Marie Sessler

Delicado
2014
15 x 13 ½ inches
Chine collé

Christine Taylor Patten

9 ‘micro tangents’
From 98-245 in ‘micro/macro’ series
T-1 through T-9
2016
3 ½ x 3 ½ inches ea.
Crowquill, ink, paper

Christine Taylor Patten

T-1
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-2
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-3
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-4
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-5
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-6
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-7
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-8
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-9
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Sheila Miles

Night Place
Laundry Day
Greta’s Place

Sheila Miles

Night Place
2016
6 x 6 inches
Watercolor

Sheila Miles

Laundry Day
2016
5 x 7 inches
Watercolor

Sheila Miles

Greta’s Place
2015
6 x 6 inches
Watercolor

TJ Mabrey

TICKET TO RIDE #5 - #8

TJ Mabrey

TICKET TO RIDE #5
2016
2 ½ x 4 inches
Print on paper

TJ Mabrey

TICKET TO RIDE #6
2016
3 x 4 inches
Print on paper

TJ Mabrey

TICKET TO RIDE #7
2016
2 ¼ x 4 inches
Print on paper

TJ Mabrey

TICKET TO RIDE #8
2016
2 ½ x 4 inches
Print on paper

Susanna Carlisle and Bruce Hamilton

Sweet Bee
2016
9 inch diameter
Video projection on blown glass

Susanna Carlisle and Bruce Hamilton

Seawall Maquette
2012 / 2016
7 x 12 x 6 inches
video projection on cast recycled glass

mandorlo e mandorla - 11/4/2016

Ilona Pachler
Gendron Jensen
Marcel Duchamp
Tony Fitzpatrick
Max Beckmann
Erich Heckel
Gerhard Richter
Louise Bourgeois
M’liz Keefe
Desiree Manville
Charles Meryon
Myron Stout

Gendron Jensen

umingmaq
2001
22 x 30 inches
Lithograph 15 / 25

Ilona Pachler

Sunny NM (elsewhere series)
2013
22 x 32 inches
Screen print on Rives paper 1 / 4

M’liz Keefe

Untitled
1999
5 x 7 inches
Oil, wax, and ash on canvas

Desiree Manville

CONCRETE CANVAS I
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Desiree Manville

CONCRETE CANVAS III
2010
3 ½ x 2 ½ inches
Archival epson digital print on epson hot press

Gendron Jensen

Minongers
2003
30 x 40 ⅛ inches
Lithograph 47 / 50

Gendron Jensen

Dénouement
2015
22 5/16 x 29 5/16 inches
Lithograph 40 / 50

Erich Heckel

Die Brüder Karamasow
1919
12 x 16 inches
Lithograph

Marcel Duchamp

Coffee Mill
1947
6 ½ x 11 ½ inches
Etching

Charles Meryon

Paris
C.1860’s
7 x 4 inches
Etching

Ilona Pachler

Steel Danube (elsewhere series)
2013
32 x 22 inches
Screen print Rives paper 1 / 4

Ilona Pachler

Steel Danube (elsewhere series)
2013
16 x 26 x 1 ¾ inches
screen print on gessoed wooden artist panel 1 / 1

Louise Bourgeois

To Hide
1989 - 1993
14 x 19 ½ inches
Drypoint

Gerhard Richter

Hotel Diana
1967
33 x 23 inches
Screenprint with varnish

Max Beckmann

Bildnes Frau H.M. Naila
1922
7 x 8 ½ inches
Drypoint

Tony Fitzpatrick

Baby Goose
1999
5 x 6 inches
Etching and aquatint

Tony Fitzpatrick

Crack Girl
2000
5 x 6 inches
Etching and aquatint

Tony Fitzpatrick

Cabezas de Toros
2000
Book of six etchings

Myron Stout

Untitled
1976
8 x 8 inches
Rubber Stamp

Like Water - 9/16/2016

Like Water

Marti Mills

Aponia (falling bodies series)
2016
15 1/2 x 15 1/2 inches

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
Plaster, graphite, silver leaf, photo transparency (transparency by Marti Mills)

Leslie Raymond

Untitled
chromogenic print
1992
4 x 6 inches

Burning Church

found photo
Cape Breton Nova Scotia
No date

Tony Fitzpatrick

Crack Girl
Etching and aquatint
5 x 6 inches

James Castle

Untitled (color abstraction)
soot and spit on found paper
2 3/8 x 4 1/2 inches

Craig Clark

2 untitled pieces (falling bodies series)

Craig Clark

untitled (falling bodies series)
photograph on metallic paper
17 1/2 x 11 1/2 inches

Craig Clark

untitled (falling bodies series)
photograph on metallic paper
17 1/2 x 11 1/2 inches

Deisree Manville

4 pieces

Desiree Manville

CONCRETE CANVAS I
2010
archival epson digital on epson hot press
2 1/2 x 3 1/2 inches

Desiree Manville

CONCRETE CANVAS II
2010
archival epson digital on epson hot press
2 1/2 x 3 1/2 inches

Desiree Manville

CONCRETE CANVAS III
2010
archival epson digital on epson hot press
2 1/2 x 3 1/2 inches

Desiree Manville

CONCRETE CANVAS IV
2010
archival epson digital on epson hot press
3 1/2 x 2 1/2 inches

John Waters

Manson copies Richard Gere
2000
set of two chromatic prints

Carol Rose Brown

above: SCENT
below: PASSAGE

Carol Rose Brown

SCENT
pigment ink print dry mounted on archival board
16 x 10 inches

Carol Rose Brown

PASSAGE
pigment ink print dry mounted on archival board
16 x 5 3/4 inches

Gus Foster

Packerland
1998
panoramic photograph
17 x 66 inches

David Forlano

4 pieces
untitled (falling bodies series)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, 22k gold leaf, photo transparency (transparency by Marti Mills)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, silver leaf, photo transparency (transparency by Marti Mills)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, 22k gold leaf, photo transparency (transparancy by Marti Mills)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, 22k gold leaf, photo transparency (transparency by Marti Mills)

Melissa Dominguez

Guava Soleil
11 x 14 1/2 inches
Photograph on Toned Cyanotype
1 of 1

Arbeit: Frank and his Dream - 8/1/2016

August 1st 2016

"Those works created from solitude and from pure and authentic creative impulses – where the worries of competition, acclaim and social promotion do not interfere – are, because of these very facts, more precious than the productions of professionals. After a certain familiarity with these flourishings of an exalted feverishness, lived so fully and so intensely by their authors, we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade." — Jean Dubuffet.

Works by:

James Castle
Haste Bowditch
Gabe Abeyta
Wes Mills
Chris Aloia
Roberto Sguazzi
Roger Walker

Untitled (figure in blue)

James Castle
Untitled (figure in blue)
colored pulp on found paper
3 1/2 x 3 1/2 inches

Untitled (color abstraction)

James Castle
Untitled (color abstraction)
soot and spit on found paper
2 3/8 x 4 1/4 inches

Untitled 13 / 50

Haste Bowditch
Untitled No. 13
oil stick, graphite, metallic paint and crayon on notebook paper
5 x 3 inches

Untitled 23 / 50

Haste Bowditch
Untitled No. 23
oil stick, graphite, metallic paint and crayon on notebook paper
5 x 3 inches
NA

Untitled 09 / 50

Haste Bowditch
Untitled No. 09
oil stick, graphite, metallic paint and crayon on notebook paper
5 x 3 inches

4 pieces by Gabe Abeyta

Gabe Abeyta
untitled
ink and marker on Polaroid
4 x 3 1/2 ea.

Untitled

Gabe Abeyta
Untitled
ink and marker on polaroid
4 / 3 1/2 inches

Untitled

Gabe Abeyta
Untitled (shut up)
ink and marker on polaroid
4 x 3 1/2 inches

Untitled

Gabe Abeyta
Untitled (super)
ink and marker on polaroid
4 x 3 1/2 inches

Untitled

Gabe Abeyta
Untitled (forever alone jerk it)
ink and marker on polaroid
4 x 3 1/2 inches

River & Lies

Wes Mills

Left: River
Right: Lies

River

Wes Mills
River
1992
graphite and colored pencil on paper
5 3/2 x 4 1/2 inches

Lies

Wes Mills
Lies
1992
graphite, dry pigment and clored pencil on board
13 x 14 1/2 inches

4 pieces

Wes Mills
Left: I cut my finger and ate green cake
above: Untitled (step dad's house)
below: Untitled
right: Untitled

I cut my finger and ate green cake

Wes Mills
I cut my finger and ate green cake
1992
graphite, colored pencil and dry pigment on board
17 1/2 x 18 inches
(provenance Laura Carpenter Fine Art Gallery)

I cut my finger and ate green cake (detail)

Untitled (step dad's house)

Wes Mills
Untitled (step dad's house)
1992
graphite, dry pigment and colored pencil on board
9 7/8 x 13 1/4 inches
(provenance James Kelly Contemporary)